Deopham History

Nave Roof Restorations – Heritage Objections

  1. The Society for the Protection of Ancient Buildings, SPAB
  2. Report by SPAB on Deopham Church 1882
  3. SPAB letter to Ewan Christian March 20th 1882
  4. Ewan Christian’s response March 24th 1882
  5. William Morris – May 10th 1882
  6. Letter from Mr Christian to the SPAB Feb 14th 1883
  7. Letter from Mr Turner to Mr. Christian, Feb 16th 1883
  8. Addressing the objections
  9. John Stevenson to SPAB May 12th 1884
  10. SPAB withdraw – March 29th 1892
  11. Footnotes
  12. Navigation

The Society for the Protection of Ancient Buildings, SPAB

William Morris founded the Society for the Protection of Ancient Buildings in 1877 to halt what he saw as the destruction of medieval buildings, particularly a trend to destroy authentic medieval artifacts in order to replace them with copies that would increase the “gothicness” of a building.
The founding objectives stated in 1877 by William Morris are quoted here.

There is a copy of sections from the SPAB annual report of 1882 here which contains their objections to the work at Deopham and the Chairman’s address which sets out the SPAB’s objectives in greater detail.

Report by SPAB on Deopham Church 1882

The report is not dated. On October 31st 1881 the secretary wrote to the Rev. Hibbert Wanklyn asking him to delay work until SPAB had paid a visit. The vicar responded in a letter received by the SPAB on November 2nd that work would start as soon as possible and that “any member of your committee is perfectly at liberty to come down to inspect the Church”. The SPAB secretary’s letter of February 13th 1882 is well informed about the screens implying that the survey below had taken place by this date.
The report is laced with much irony!

SPAB letter to Ewan Christian March 20th 1882

Based on the report above, the following letter was sent to the church architect Mr Ewan Christian:

Ewan Christian’s response March 24th 1882

The following letter from the church architect Mr Ewan Christian is addressed to Thomas Wise Esq.

Messrs Middleton & Ward of SPAB responded in May 1882 to Mr Christian explaining that they had understood that the entire reconstruction of the roof had been intended and tell him:

They continue that Mr Christian may not be aware of the vicar’s “notions” about renewal of the floor and the “alteration of the screens”.
The letter concludes with a broadside:

William Morris – May 10th 1882

There was some concern at the SPAB that they might have been too abrupt in their communications with Mr. Ewan Christian the church architect. When William Morris was asked for his opinion, he responded that he did not see that the correspondence should be altered, throwing in the classic quote that Mr. Ewan “is a great criminal”.

William Morris’s antagonism was towards all architects involved in restoration projects, not just Ewan Christian. Sir Gilbert Scott was a key target of his criticism. It would seem though that by the time of this letter he was fighting a battle that was no longer current. Once the architects had become more professional in their approach after the formation of the RiBA in 1834, many of Morris’s arguments were defused.
The Church of England and its amateur approach to the management of its legacy of medieval buildings was also a target for Morris’s criticism, aggravated by his socialist principles which saw the privileged Church of England as an anachronism. On the other hand, he did very well out of contracts for stained glass for the very organisation he opposed.

Letter from Mr Christian to the SPAB Feb 14th 1883

The following letter was sent by the architect Mr Ewan Christian to Thomas Wise at the SPAB on February 14th 1883. Events have shown that the comments both about the screens and the floors turned out to be untrue. Whether Mr. Christian knew that at the time of writing this letter is less certain. The comment concerning the floor is difficult to reconcile with Mr Christian’s estimate of 1864 which included “The refitting of the interior with new seating of fir on new wood floors – renewing the paved floors etc”. The Rev. Wanklyn‘s fundraising circular of 1881 included a sum of £500 for “flooring and seats”.

Letter from Mr Turner to Mr. Christian, Feb 16th 1883

On February 16th 1883 Mr. Thackeray Turner wrote to Mr. Christian in reply to his letter of the “14th inst” saying that “it gave the Committee great pleasure to find that the report respecting the screens was incorrect”.

Clearly someone had been economical with the truth since the screens were in fact removed. Mr. Christian’s plan of the reordered interior shows no sign of the screens which the SPAB delegation had recorded around the north-east chapel.

Addressing the objections

Whoever primed the EDP author of the article on December 28th 1882 was at pains to make clear that the project had done its best at that stage to preserve as much ancient material as possible:

John Stevenson to SPAB May 12th 1884

This letter was sent from John Stevenson to Thackeray Turner at the SPAB.
John Stevenson was an architect and designer, an advocate of the Queen Anne style of building.
He had named his house “The Red House” (see letter heading below) in deference to William Morris’s home of the same name.


Thackeray Turner was an architect who until 1883 had been working with Gilbert Scott. In 1883 he became a salaried member of the SPAB. Mr Turner comments that he has told the author of the letter that this “is a hopeless case”. This must have meant a hopeless case for the SPAB to have any hope of influencing the restoration. In any case, the work on the nave and aisles had been completed before this letter was written, leaving only the tower repairs outstanding.

SPAB withdraw – March 29th 1892

Footnotes

  1. The “parson” at this time was the Rev. Hibbert Wanklyn. ↩︎
  2. This is another thinly veiled criticism of Ewan Christian who had supervised the south aisle repairs. Further details on the south aisle project of 1867 are accessible here. ↩︎
  3. Encaustic  tiles are ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colours of clay (Wikipedia). ↩︎
  4. Altar-pace: the steps or platform on which an altar stands in a church. ↩︎
  5. This comment by Ewan Christian asking William Morris’s SPAB to campaign against the removal of ancient glazing in order to replace it with stained glass is made with a huge dose of irony. William Morris had done very well out of supplying and fitting stained glass for church restorations. ↩︎
DateChange
21/2/24Published